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  The Archive houses over 1,400 letters, among them approximately 250 Beckmann autographs and letters from Thomas Mann, Walter Benjamin, Sigmund Freud, and others. There are notably large holdings of letters written by the artist to Günther Franke, Stephan Lackner, and Reinhard Piper, and by Mathilde (“Quappi”) Beckmann to her sister Hedda. The Archive also contains a substantial amount of correspondence among Beckmann’s friends and acquaintances, including exchanges between Franke and his fellow art dealer I. B. Neumann. Much material relating to Lackner Typescripts, copies of all his publications, and much other material relating to Lackner has come to the Archive from the writer himself and his heirs.

The Max Beckmann Archive also houses some 6,000 photographs, 60,000 newspaper cuttings, and 1,400 specialist publications. The Max Beckmann Gesellschaft owns a large part of these holdings; a further part belongs to the Bayerische Staatsgemäldesammlungen. Items are added constantly to the collection. The Archive also regularly updates the catalogues raisonnés of the artist’s paintings, drawings, prints, and sculptures and the bibliography of publications about him.

Recent Acquisitions     
In June 2005 two letters from Max Beckmann to Günther Franke were acquired at auction along with the correspondence between I. B. Neumann and Günther Franke (some 130 items).

In November of that year three photographs of Max Beckmann taken in 1938 by Helga Franke (née Fietz) were likewise acquired at auction.

The Archive’s holdings were further expanded in 2005 by the acquisition from private owners of letters and postcards written by Max Beckmann or members of his immediate circle. In addition, Dr. Christiane Zeiller and Dr. Angelika Lenz gave the Archive several postcards with views of places that figured in Beckmann’s life during the First World War.

In July 2006 more Stephan Lackner documents were acquired, some purchased, some received as gifts. In 2006 the Archive received two precious gifts. In August Ina Beckmann-Deventer of Freiburg im Breisgau donated two photographs, one of Max Beckmann’s sister Grete Zech, the other of the house in Leipzig where the artist was born. The second gift consisted of the original plan of Beckmann’s house in Hermsdorf.

In December 2006 a copy of Hans Moeller’s photograph Double Portrait of Max Beckmann and Reinhard Piper (1922) by was acquired at auction from the collection of Reinhard Piper.

In June 2008 the Max Beckmann Archive acquired an important series of letters from the correspondence of Waldemar and Oda Rösler. They include seven previously unpublished items from Max Beckmann, along with Waldemar and Oda Rösler’s correspondence with such artists and writers as Ernst Barlach, Gottfried Benn, Walter Gropius, Käthe Kollwitz and Karl Schmidt-Rottluff.

In July and August 2008 the Max Beckmann Archive benefited from a number of significant donations. They included nine letters written to various recipients by Wolfgang Frommel, one of Beckmann’s most important contacts in Amsterdam, an announcement of Frommel’s death, and a late portrait photograph of the writer by his nephew Melchior Frommel. All these documents were donated by the heirs of Gerhard Frommel.

From Professor Peter Selz the Max Beckmann Archive received six photographs by Dímitri Hadzi (1921-2007) of Professor Selz and Peter Beckmann, together with documents relating to the Beckmann exhibition mounted by the donor in 1964 and to Documenta III.

Also in July, the writer Durs Grünbein donated an autograph copy of his poem “Was ich bin (In memoriam Max Beckmann)” (What I am: In memoriam Max Beckmann).

In August Mrs. Jeanette Scholz presented the Archive with an important series of letters from Max Beckmann to Lilly von Schnitzler, eleven of them unpublished, together with several letters from Lilly von Schnitzler to various recipients and eleven photographs of Max Beckmann taken by Helga Fietz in Amsterdam in 1938.

The heirs of Stephan Lackner, members of the Society to whom we already owe a great deal of material, have donated four of the writer’s manuscripts: Paar im Sturm/Matthias und Marina (Couple in a Tempest/Matthias and Marina), 1961; Das verzauberte Echo (The Enchanted Echo), 1955; Das Naturwunder (The Miracle of Nature), 1955; and Asche (Professor Virrus) (Ash [Professor Virus]), 1955.

 

 

Letter from I. B. Neumann to Günther Franke
Letter from I. B. Neumann to Günther Franke, October 3, 1928
© Max Beckmann Archiv

Max Beckmann in his Amsterdam studio
Max Beckmann in his Amsterdam studio, 1938
©Photo: Helga Fietz

View of Strasbourg, wartime postcard
View of Strasbourg, wartime postcard, ca. 1915
© Max Beckmann Archiv

Shelled village near Ypres, wartime postcard
Shelled village near Ypres, wartime postcard, ca. 1915
© Max Beckmann Archiv

Safe conduct for Ernest Morgenroth (Stephan Lackner)
Safe conduct for Ernest Morgenroth (Stephan Lackner), 1938
© Max Beckmann Archiv

Plan for Beckmann’s house in Hermsdorf, Berlin
Plan for Beckmann’s house in Hermsdorf, Berlin, designed by Minna Tube, 1908
© Max Beckmann Archiv


Reinhard Piper and Max Beckmann in Munich
Reinhard Piper and Max Beckmann in Munich, December 1922
©Photo: Hans Möller

Wolfang Frommel to Gertrud Frommel
Wolfang Frommel to Gertrud Frommel, July 11, 1945
Donated to the Max Beckmann Archive on July 18, 2008 by the heirs of Gerhard Frommel
Acc. no. MBG III 2
© Max Beckmann Archiv


Portrait photograph of Wolfang Frommel
Portrait photograph of Wolfang Frommel by his nephew Melchior Frommel.
Donated to the Max Beckmann Archive on July 18, 2008 by the heirs of Gerhard Frommel
Acc. no. MBG III 2
©Foto: Melchior Frommel


Peter Beckmann and Peter Selz 1963
Peter Beckmann and Peter Selz in front of Lilly von Schnitzler’s house in Murnau, 1963
Donated by Professor Peter Selz, Berkeley, honorary member of the Max Beckmann Society, in July 2008
©Foto: Dímitri Hadzi


Durs Gruenbein: Was ich bin
Durs Grünbein, “Was ich bin” (What I am)
Donated to the Max Beckmann Archive on July 24, 2008 by the author
Acc. no. MBG VIII 5
© Max Beckmann Archiv






Lilly von Schnitzler, 1929
Max Beckmann, Lilly von Schnitzler, 1929
Black chalk, 356 x 262 mm
Private collection 

Paar im Sturm/Matthias und Marina, 1961
Manuscript of Stephan Lackner’s novel Paar im Sturm/Matthias und Marina, 1961
Donated by the heirs of  Stephan Lackner in August 2008
Acc. no. MBG IV 1
© Max Beckmann Archiv